kind of blue mono or stereo hoffman

Although for current mono reissues they are using the stereo fold down because the mono original is lost. I assume Mo-Fi's KOB will be the new stereo mix. Your phrasing that mastering did the fold down is incorrect. None of these letters ever appear at any later date up to modern times. For years, I used to think it was a bad left channel speaker in my system. I, Play the Impulse mono`s with a true mono cartridge. Mono gives it a much more authentic feeling, but as for quality, stereo is what I have always gone too. Those lacquers existed, and were put into service from 1963 onwards until the early. Besides, I said nothing about paying attention to what they said about the vinyl under review; my intention was for people to read what was said about the state of the master tapes, how the most recent mono and stereo mixes were made, etc. I actually worked with Kind of Blue producer Teo Macero back in 2000, shortly before his death. JavaScript is disabled. 3 Modern Album of Long Island, NY It has cleverly placed itself between the high-end audiophile labels, whose LPs can be very pricey, and the cheap low-end labels, whose noisy pressings can sound like bacon frying. Will debut at record stores on November 29th or thereabouts. Keeping them separate and sending them left, center and right produced "stereo" in name only. Of course this did not affect the mono version, which was sourced from a different recorder, but for this mono reissue, the speed had to again be corrected. If you owned an original Van Gogh and he suddenly knocked on your door ran in and painted a little bit more on your canvashe would be ruining his original art. #1. WiththeStereo edition, different principles seem to apply. Looking at theYouTube video and write-upon HD tracks and on the sister site: http://www.audiostream.com/content/miles-davis-kind-blue-again. By continuing to use this site, you are consenting to our use of cookies. 1B/1B, 1B/1C, 1B/1E, 1B/1H, 1B/1J, 1C/1D, 1C/1F, 1C/1G, 1C/1H, 1C/1J, 1D/1AC, 1D/1D, 1D/1E, 1E/1D, 1G/1H, 1H/1L, 1J/1B 1AA/1F, 1AA/1G, 1AD/1AF, 1AE/1AG. The 81 is the only mono Pepper that impresses me. Twenty sevenlacquers of Kind of Blue were cut. There is no matrix-based code reason to believe a pressing off a 1BJ stamper will sound any different or better than one off an 1A stamper. Privacy Policy. There's zero evidence the speed issue was anything other than a technical fault with one of the tape machines. Is it the same as Columbia/Sony? There are clusters around certain letters, for example 1AJ on Side 1 is found with Side 2 as 1AD, 1AE,1AF and 1AG. I know the company doesn't forcibly place them in anyone's hands. Could someone explain to me the attraction of a reissue of Kind Of Blue in mono that is a modern day fold-down from the 3 track master tape? Should the Miles mono reissues ideally be played with a mono cart? I'd like to thank you for all the valuable advice that I've been able to glean from your Stereophile column over the years. This was effectively the first identifiable pressing,running up to the August 1959 launchand during thefirst three months of sales. 1D/1H, 1H/1D, 1D/1G, 1G/1D, no other letters were found. The earliestpressing of stereo six eyeis I believe stereo promos (E, K, AC, and AE),some other rare single alpha (1E and 1H) andsome 1AA and 1AC which also have the Side 2 track-listing error most of them do not. You may ask how a perfectionist like Miles Davis or one of the other members of the band did not notice the pitch shift. Of course a major difference is stereo vs. mono. Beatles, Sinatra) that I can compare to modern vinyl or CD releases, but admittedly that doesn't help with Piper since it's a case-by-case thing. Kind of Blue est un album de jazz de Miles Davis sorti le 17 aot 1959 sur le label Columbia Records (rfrenc CL 1355).Il a t enregistr la mme anne, du 2 mars au 22 avril New York. are they all analogue process only? One of the interesting discoveries made in 1992 when the tapes were first exhumed, was that Side 1 of the stereo issue, consisting of the tracks recorded at the first session, So What, Freddie Freeloader and Blue in Green, had been playing at the wrong speed since 1959. Not just the . I have several stereo copies of this record, my preference is the Classic Records1995 issue. Is there any evidence to indicate that the mono was mixed from the same 3-track tape as the stereo? That's a killer disc all right, and the 5(3).1 is a wonder to behold. 3D-imaging and the wide, deep soundstage are eyebrow-raising; these Davis mono remaster titles sold me on other mono remasters, and rival (IMHO, to my ears) the Columbia/Legacy 180g six-eye stereo remaster I bought last year. Cookie Notice Or about Kind of Blue, "This was the only album in the set that we had to mix from the original . As mentioned before, I noticed the same "rightness" on RCA's mono vinyl of Belafone at Carnegie Hall. In no special order, a handful of lacquers were selected to press white label promotional copies for distribution to reviewers and disk jockeys mono (red text label) and stereo (black text label), with the text DEMONSTRATION, and NOT FOR SALE on the label. According to Steve Berkowitz, who, with engineer Mark Wilder, has overseen all of the Miles Davis reissues going back many years, both of the original 3-track tapes used in recent years to produce the SACDs as well as 2008's blue 180g vinyl 50th Anniversary Collection box set (which was poorly pressed on 180g with a lot of noisy non-fill, gee I wonder who pressed it? Enter a Crossword Clue. never bought the 200G version by classic records because I understood that the QC on this pressing is bad and that the pressing is really noisy. Photos not available for this variation. In the early days of "stereo" the mono mix especially of popular and rock music) was the one that got the most attention. The presence of an 1Aor 1B on one side, and a higher value on the other, is not an early mono pressing, obviously. Of all the large number of combinations of lacquer pairs, just two stand out as being symetrical: 1D/1D and 1J/1J. 2 of them are friends and the 3rd one is my father-in-law. The stereo versions are mixed in a similar fashion with center mixed into both left and right channels. All other pressingseven the re-released copies from second and third generation mothers in 1959 and 1960 which sound very very good, are not the original artthey are approximations made at a later date with mastering notes recalled from the original session. I believe the distortion you are hearing is the mute on Miles' trumpet. Again from a personal view I think that either of the 2 vinyl box sets, MFSL or the Blue Box BC-13 are better options. Seven of these albums - 'Round About Midnight, Miles Ahead (both 1957), Milestones (1958), Porgy And Bess, Kind Of Blue (both 1959), Sketches Of Spain (1960) and Someday My Prince Will Come (1961) - are familiar classics which saw Miles rise to prominence as an architect of the hard bop style of jazz before revolutionizing the genre with ventures When you click on links to various merchants on this site and make a purchase, It's truly stupid for vinyl sellers like Insound.com to sell those things. With 1D (different printer and pressing location?) Then they would start again, fill four tracks and mix those down to one track. After hearing a lot of different versions of KOB I believe it's just the sound of the mute which is raw and gritty. I finally got the MFSL 2x45 after holding out for a later press due to reports of some early ones being off centre. http://www.musiconvinyl.com/catalog/miles-davis/kind-of-blue-mono#more, Question about Music on vinyl and Columbia/sony legacy, the speed "error" situation.is not an error or oversight. Click the answer to find similar crossword clues . Hey Mendo, let us know how the ultrasonic cleaner comes out. Why introduce a new lacquer 1AL when 1A is still capable of churning out acceptable quality pressings? I wonder how a fancy (like Mikey's German unit) or homebrew ultrasonic would do for getting the embedded plastic grunge off? Over the fouryears of the six-eye label, fresh pressing runs would draw on the stock of lacquers, a general chronological drift, but many mismatched stamper combinations. This was corrected (ie order reversed) on the label of commercial release pressings, at the instruction of Teo Macero, around November 1959. In the case of Stereo, six lacquers account for half of all the copies manufactured, none of which are single alphabetic 1A to 1L. Mostly these are high values like BC/BGand BH/BJ , close to the CBS overprint and transition to two-eye label (1962/63) where lacquers from the third cohort 1CA to 1CL begin to appear. Previously overlooked, there is some evidence that the distribution of promos and possibly manufacture may have been the work of more than one plant, possibly three. Another great mono is Dave Bruebeck's "Jazz In The USA.". I am not convinced the first stereo pressings followed the 1A/ 1B/ 1C/ route at all. The reissue's mix down from three tracks to one has been so skillfully and carefully done, even veteran mono KOB listeners might have difficulty guessing the source were that the only criterion. Both are difficult to get but worth seeking out. Do you expect much improvement over the Classic Records stereo 45 release from the 90s? A known unknown. A,B and C could have manufactured the lot. When Sony announced the RSD release I assumed it would be similar to how they rolled out Milestones and Round About Midnight (a few months after)? There was a reason why plants chose asymmetrical pairs, Side 1 and Side 2 stampers, deliberately from different lacquer sets. It is art after alland there is really only one master, and only one first pressing which Miles and Teo agreed on as being "finished". The aboveexamples of1A 1B and 1C labels (note, always1Aas Side 2) each feature the two line bold album title. A limited number of lacquers/ stampers were used in pressing promos, Side 1 and Side 2 were drawn mostly from different pairings. Its a double album, with the first LP offering the record in its original stereo form (speed corrected, of course) and a second disc featuring the first take of Flamenco Sketches on one side and a version of Green Dolphin Street on the other. There may not be much significance the matrix code being an early alpha beyond mono A-B-C. Is earlier betterand closer to the source? Another, more welcome, discovery on inspecting the master tapes was that a complete alternate take of one tune still existed. The mono Pepper has always struck me as sort of staid but I'm a stereo guy. You are right, I don't see on the record store web site the second date for this year. He is a true magician when it comes to breathing life into music. Controversial in some quarters, but I agree. ), the mono reissue is a necessity not an "add-on" option! hows the quality of the LP in the box set? Location: Carbondale, IL USA. Steve Hoffman Your host Your Host Location: Los Angeles CA, USA Adagio said: There are reasons for this! Though inexplicably they don't list the dates! It's possible to finD KOB and Milestones in Mono via Music on vinyl. Similar pattern of asymmetrical lacquer pairings e.g these found . Mono tracks send only one channel for all speakers. The mono tapes have gone missing. The 50th Anniversary issue is a pretty blue color! Based in Holland, Music On Vinyl uses the Record Industry plant in Haarlem the largest surviving vinyl pressing plant in Europe and one of the top three in terms of quality, along with Pallas and Optimal in Germany. Reddit and its partners use cookies and similar technologies to provide you with a better experience. Bridgeport mother/stamper process control process? Kind of Blue on one line or two, in a variety of different fonts. I'll be grabbing this mono version! I caughtone seller claiming he had a 1A/1A in the auction headline which later in the description expanded to 1AC/1AE. Where? Is that it? Seems a reasonable definition. Rest assured, what you are hearing is what was recorded. LP review by Andrew Cartmel). I'm very happy with this pressing. 2 sense. See Promo Cover Fabricator new section below). starbucks red cup campaign; best practice interventions debriefing; toni cornell height; shafer middle school staff; who are lester holt's parents; lift up the downtrodden meaning; It will likely be Black Fridaytwo days away from my birthday this year! Sometimes that works okay but other times not. At other plants, stampers were deliberately chosen from different laquers. I could go on about the sound but I think the real point is that given todays best 24/192 PCM processing/mixing and using original vinyl as a reference for the new mix, great things can be done. AB 13th; AC 14th; AD 15th; AE 16th; AF 17th; AG 18th; Personnel: Miles Davis - trumpet, band leader. 7 Columbia 1969 (original or subsidiary label) . If the covers were merely manufactured centrally at Indianapolis and supplied to Bridgeport for the promo pressing, why is there both 4 and 2, AND 6. Yes, Columbia switched to the RIAA curve in the mid-fifties. I have attempted several DSD transfers of the mono original however despite having a mint copy, its plagued with the low level surface noise that seems common among original 6 eyes that came in the dreaded plastic inner bags in those days. The question never was answered is this mono pressing all analog? One was selling in the marketplace but asking a question about something for sale is apparently a 'conversation.'. Instead what you got were three islands joined together with added reverb. The suffix -1B is visible on mono Side 1 and seller described both sides 1B/1B. You can buy this same exact pressing for a very reasonable price just not numbered here: Miles Davis - Kind Of Blue Flippers gonna flip, I get it, but sometimes you can do something about it and maintain the same quality. (Model #s B8001, B8005-B8010) Some are listed as 2 chassis units. It is not known how many labels with the side 2 error were printed, but the presence of the Side 2 error is proof of earlypressing status 8/59 to 11/59. Click here if you want this pressing without paying 4-20x retail (Come on now, you really should be ashamed of yourselves). Over the years, further cuttings from the original mastering were brought into service. Hope that helps. The Music On Vinyl label turns out beautifully packaged LP reissues on high quality vinyl. This according to some grizzled veterans who did the cutting. However, compared to my later "6-eye" 1AJ pressing, the reissue sounds far less "milky-cloudy" and far more transparent to the source, without veering off into the analytical. Vinyl LP included is in stereo and was wondering (as a guy whos relatively new to jazz) whether Miles Davis (and any jazz record pre-1968-69) should be listened to in mono or stereo? None were found 1A,1B or 1C, ( which are found only on the commercial release). The stereo version, which they were very apathetic on, works to our advantage because they didn't use as much compression, they just turned it up and hit start! Taking anything anyone sayson the Internet or otherwise, but especially on the Internetwith a grain of salt when it comes to sound is more than a healthy approach and ultimately the one you can trust the most (hopefully) is you yourself and your own ears. but failed to notice the CBS overprint and absence of deep groove. Would you know which pressing that would be? This coming Record Store Day, November 29th, the label will release on vinyl. Give me a rest from dissecting records. They're very impressive for mono recordings. D is found in every permutation, including with A. G and H are never found paired with each other, or at least not found in my sample. For a better experience, please enable JavaScript in your browser before proceeding. Sign up to receive our Wednesday Breakfast Headlines, Miles Davis Kind of Blue (Deluxe) (Music On Vinyl MOVLP-019. Since the mono tapes apparently no longer exist, recent monophonic reissues (yes, some people do prefer mono) were created by mixing down the three tracks on the backup stereo master to a single track. It is a twice a year event. FIRST! Conventional wisdom is no guide to what actually happens, Postscript Technical Appendix the data. Some EQ was used as was a bit of limiting. This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register. It is a blue coloured record. I can bang on about the best pressing of Led Zep albums and all my other traditional genres - but that's of no value here. The importance of wires, auditioning methods and othertips. (You must log in or sign up to reply here. Epais comme un vinyl de pressage us. It very well may have been erased and the tape re-used. 1959, 2013 Columbia Records, a division of Sony Music Entertainment / Originally release 1959 / All rights reserved by Columbia Records, a division of Sony Music Entertainement. and E and F for Pitman N.J. Six (or more) sets of lacquers were usually cut for any big-name artist, so the very first mastering would be 1A,1B,1C,1D,1E,and1F. My dad put aside a copy of the Kind of Blue 50th anniversary box set for me recently. Going back over the pictures of jackets accompanying mono white label promos, three fabricator codes are found: 2, 4, and 6. Its one of my reference mono recordings that I love to pull out to demonstrate just how great mono records can be to initiate those who are new converts from digital to vinyl. Early vs later pressing Side 2 track list error, Illustrated below, thetrack listing error, left (1.Flamenco Sketches 2. You must log in or register to reply here. It amazes me that so few hear or recognize the distortion present throughout, especially on So What. Ebay auctions of Kind of Blue on six-eye label over last three years where, seller identified matrix on both sides (198 commercial releases, 218 in total including twenty promos). HARRY T BOOKER Mister Is Blue MONO/STEREO 45 Promo Rare Soul WB. A further five lacquers account for the next quarter of all mono copies: A, B, AC, AD, and AJ. Discussion in 'Music Corner' started by youraveragevinylcollector, Mar 22, 2016. The interesting part is the lacquer numbers associated with two-eye edition, commencing with the tail end of the 1BA-1BL run, and the start of the 1CA 1CLrun. Unfortunately, the Kind of Blue mono master tape no longer exists. These are the fabricator codes used by the main cover suppliers to majors, including Capitol and Columbia (information gleaned by Beatles researchers): 2 Imperial Paper Box Corp., Inc. of Brooklyn, NY Hoffman: Or "Your Mother Should Know." However, on Beatles For Sale, the mono version really bites because they worked so hard on it; it's so compressed and harsh sounding. One of these assumptions is wrong by a factor of ten, crazy, but we find what we find. No soul at all. Even *if* Macero had been involved, any changes he would have made would have been at the mix stage, not the recording stage. Most people today use stereo since it sounds wider, more detailed, and a lot more realistic. The love and care taken by Music On Vinyl on this release even extends to the printing of the labels, which on these discs are a homage to the 1959 Columbia six eye design. Bonus enjoyment if you have a 5.1 setup. I am afraid I agree entirely. He was making music..and he didn't care if it bothered someone trying to play along to the album later that it sounding sharphe was interested in the pocket. Now I'm curious if I should drop more cash on 'Round About Midnight Columbia Mono they just released. http://www.analogplanet.com/content/miles-davis-kind-blue-monophonic-reissue-sonylegacy-analog-planet-exclusive. As Marks reports, only the center channel microphones used by Davis and bassist Paul Chambers had "send and return" lines to and from the 30th street studios concrete echo chamber but leakage from the other instruments into their microphones, (plus the converted church's natural reverb), probably accounts for the recording's spacious ambience and its overall coherent reverberant field. IIRC the original Kind Of Blue Mono tape masters no longer exist so using an original mono pressing the mono mix was 'recreated' from the 3 track tapes. W.B of New York adds following correction (September 16,2017): To understand how Columbia matrix codes worked in practice, over 1,000 individual Ebay auctions of. November 29th is mentioned here. The Holy Grail, Kind of Blue, six eye stereo KoB 3. The Mono Box from 2009 was not cut from pristine LP masters. Or so Conventional Wisdom suggests. I've read about Sony releasing great albums, but how do I participate in Record Store Day? Melbourne, Victoria. I was thinking about the 2x180g version by classic records, can anyone comment about the sound and QC on that one ? A small number of lacquers were responsible for generating mono and stereo promos, said to be manufactured in one plant, Bridgeport CT (WB New York, based on characteristics of centre label typesetting) though contradicted by local jacket manufacture codes accompanying promos. How far is the Kind of Blue manufacturing system representative of that of other Columbia titles? The 2012 stereo is best forgotten. A mono cartridge should not be used to playback a stereo record unless the manufacturer states that it has both horizontal and vertical compliance; however, a stereo cartridge can easily . The Crossword Solver finds answers to classic crosswords and cryptic crossword puzzles. Desktop 2.1 speakerrig: Lenovo IdeaCentre A730 Windows 8.1 PCFoobar 2000 /Spotify PremiumFiiO E17 DACFiiO E09K headphone ampLepai LP-2020A+ amplifierPolk Audio PSW10 subwooferDayton Audio B652 bookshelf speakers. Even if I don't agree with an opinion, if I know the criteria for judging, I can learn from it. Instrumental timbers are natural and textures rich. Milestone and Round About Midnight were mono-only titles. I listen to critics and online commenters whose point of view I can understand. Another waxed lyrical over a 1A/1B six-eye stereo RARE! (LJC: so 1G and 1H would be the 2ndcutfrom Santa Maria)That way they could easily keep track of how many replacements were needed for each plant. I agree Crosley is the devil. Or the mono tapes went missing. What happened? These recordings were made in what, '59? Stereo Audio Files. Mono feels a bit more powerful because of the nature of mono. I'm sure the mono reissue will get a larger release following Record Store Day Black Friday. Thanks again Michael! Both mixes on HDTracks are completely NEW remasters. I just got the 2LP Classic Records stereo today and have had the blue 50th so I'm anxious to see how this compares. Needle doctor even sells them. The artist name and album title are set in Erbar Light Condensed font, used by Bridgeport and which went on to be used in label printing for Pitman. Flamenco Sketches is a 6/8 12-measure blues form that produces its mood through only a few modal changes and Miles Davis' free melodic conception. Sorry, guys. The two channel mix down will most likely be the source of a Mobile Fidelity stereo reissue coming later in the year as part of that label's Miles Davis stereo vinyl reissue project. 1A stereo is only found paired with higher value letter (e.g. To be fair, some are done better than others (I say this only having listened through speakers - I don't want to think about what the . example of satire in a sentence 0.00 $ Cart. That said, they are BOTH fantastic. The mono original (and reissue) provides a better overall instrumental balance, with greater emphasis on the piano and more solid imaging. Kind of Blue Mono & Stereo Collector's Edition 2LP Set 180 gram, 33 rpm, Collector's Edition, Gatefold, Mono. They are all potentially the first. Then in the commercial release, 1E, 1H, 1AA and 1AC among the first pressings, evidenced by the Side 2 label track-listing error. In preparation for the commercial release, Columbia engineers cut at least 27 identical lacquers from the first master tape mix, one set mono, the other stereo. The very few commercial mono copies were found with matrix codes in the range 1A to 1C on both sides (five records only in the sample, they are very rare), all had the Side 2 track-list error. There is some evidence to indicate that an actual mono tape wasn't made, though I understand that it was customary to run both machines simultaneously during the time that KOB was recorded. To speculate that Teo/Miles/the band "never bothered to listen or simply didn't notice" is just plain insulting to those involved. The track sequence error remained on the jacket in perpetuity. CK 43rd; CL 44th; DA 45th; DB 46th; DC 47th; DD 48th; Perhaps defective, or damaged, they were never put in service. Miles Daviss spiralling, restless trumpet on Freddie Freeloader and its seesaw insinuation on All Blues, Bill Evanss delicate, meditative haiku of a piano in Flamenco Sketches, Coltranes silken, slithering tenor lament on Blue in Green, Paul Chambers low, slow heartbeat of a bass, the soft, considered percussion of Jimmy Cobbs drums and the pulsing tick of his cymbals are all immaculately rendered. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. Seems a bit confusing with all these different pressings. So when I read imbeciles claiming Columbia used it into the 1980s because some records sound "better" with it, I get a bit crazy (er). The mono tapes have gone missing. They all sound good but the SACD is sublime. Don't prejudge! The record is numbered as said, but by Music On Vinyl? The lacquer code can in theory be matching both sides (1A/1A), but if two lacquers were supplied to a plant, four Side 1/ Side 2 permutations are possible: 1A/1A, or 1A/1B or 1B/1A or 1B/1B, depending on which lacquers came to hand when being mounted in a press. Guess I know what I'll be treating myself to. I saw Arthur's comments about distortion and as I was listening I instantly understood what Arthur was commenting on. Have a look. I've got several of the Wilder/Sony Miles Davis mono RSD 180g remasters and I'mveryimpressed with them. Or at least I didn't see them. These identifiable early stereo pressingsare pictured below. Instead, instruments were left/center/right with the two track mix folding the center channel to both the left and right channels. More drive, more punch. Flamenco Sketches), US first commercial release six eye label -Stereo, Early vs later pressing Side 2 stereo initialtrack listing error. Does anyone know if this release sounds better than the Sony Legacy 180gr release? Kind of Blue was recorded in both mono and three track stereo at Columbia's 30th St Studios. Anyone who thinks this has never been in a proper recording session and doesn't know any real recording engineers. Though lacquers were cut and numbered sequentially at the point of manufacture, for Kind of Blue at least, they were not drawn for use sequentially. Around a quarter were code 2 (Brooklyn) , three quarters are code 4 (Indianapolis) and just one 6, (also Indianapolis when supplying jackets to West Coast pressing plants). I just bought the 24/192 versions of KOB (mono and stereo) and they sound great. Happy holidays to all. More rock n roll. Read John Marks' account of hearing the three-track master tape at Sony Studios. Perhaps that is one reason why so many were cut: quality control in distributed pressing through inexpensive redundancy. state of texas high school graduation requirements 2022, fred macmurray grandchildren, suffolk county police phone number,

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